Concert Report Essay

Thesis statement This base exit simply discuss how Ludwig vanguard van van van van Beethoven integrated old and sassy musical ideas into his work, thus creating an unconventional only when transcendent and influential qu fine artet, based on the hang quatern No.9 in C, Op. 59, No.3 Razumovsky performed on the concert.On 22nd Nov, Shanghai Quartet, star of the worlds fore near sleeping accommodation ensembles, performed two musical works. They atomic number 18 Ludwig van Beethovens String Quartet No.9 in C, Op. 59, No.3 Razumovsky and Antonin Dvoraks Piano quint No.2 in A, B. 155, Op.82. In this report, I will focus on discussing Beethovens work.1Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the holy and amorous period in Western art music, he remains one of the approximately famous and influential icon for entirely(a) composers. His best-k at a timen compositions include 9symphonies, 5 concertos for piano, 32 piano sonatas, and 16 string quartets. 2The String Quartet No.9 in C, Op. 59, No.3 Razumovsky was written in around 1805-1806, when Beethoven was aged 35 and was at the height of his productivity. It is called the Razumovsky quartets beca riding habit it is commissioned by a Russian count of that name, who was the tsars ambassador in Vienna, a keen amateur violinist and a confirmed music lover. The quartet consists of the chase four effects1. Andante con moto fast vivace (C major)2. Andante con moto confusable allegretto (A minor)3. Menuetto (Grazioso) (C major)4. Allegro molto (C major)I will focus on discussing how Beethoven integrated old and new ideas into the second, triplet and final movements The second movement brings us to an unconventional territory. Beethoven tried something ancestor and that is an entire Russian movement. The exotic quality of this movement is easy enough to go out in the augmented second intervals of the interruption violin melody, the frequent p izzicato attendee of the cello in which as if it imitates a folk instrument such as guitar of harp and especially in the persistent passages of static harmony. Indeed, Beethoven is successful in conjuring up thissense of geographic distance that the movement sounds very similar to the nationalist inspiration from decades later, by romanticist period composers comparable Dvorak or Borodin or Chaikovsky. But the extreme modulations and patient logical system of the tonal return betray it backbone to its time and composer.While the second movement gives an unconventional feeling and goes for something new during that time, the deuce-ace movement gestures in the opposite direction. During Beethovens middle period, he tended to repress the Minuet and Trio format and try to use the robust Scherzo in his works exclusively here he returns to the somewhat- old-fashioned form, in a movement with a characteristic syncopated motive in the opening seamlessly change between instruments. As if to complete the old-fashioned mode, the Trios uncomplicated saltation character and rising ending melodies heretofore bring us back to the world of early Haydn, who is a Classical occlusive composer. Everything in this quartet has been a amazement so far, and the last movement is no exception. It is led by a appease coda to the third movement that ends on a question mark.But then, of all things, we are presented with the start of a traditional fugue, led off by the genus Viola at a furious tempo. once again we have a sense of travel between the new and the old. Fugues were by now an ancient, learned device but Beethoven integrates this one into the most extrovert and normal of moods as a display of apparent virtuosity for the four soloists. What is more, as soon as the four entries have been completed, there are not any formal counterpoints and Beethoven explores instead the grandiose, symphonic modes, especially that glossy celebration of an enormous C-major space on all four instruments.All in all, Beethoven is so successful in integrating old musical ideas, attack from the Romantic or even the Classical period, and his new thoughts into this quartet. While I listened to it, it acts like a time machine, bringing us to travel between old and new. No wonder it is regarded as one the most transcendent quartet composed by Beethoven.